Tuesday, January 26, 2016

Sarangapani Temple, Kumbakonam – The Temple

Sarangapani Temple, Kumbakonam – The Temple
Sarangapani Temple is the largest Vishnu Temple in Kumbakonam and has the tallest temple tower in the town. The Rajagopuram (the main gateway) has eleven tiers and has a height of 173 ft (53 m). The Rajagopuram has figures depicting stories from Hindu mythology. There are sculptures depicting the Bharata Natya Karanas, as enunciated in the Natya Sastra, on the first tier of the Gopuram. The Temple has the third tallest temple  gopuram (173 ft) among the Divya Desams next to Srirangam (236ft) and Srivilliputhur (192 ft).

There are five other smaller gopurams in the temple. The temple is enshrined within a huge wall and the complex enshrines all the water bodies of the temple except the Potramarai tank. There is a four pillared Mandapa in front of the Temple. The Temple is facing towards east. The central shrine (sanctum) of the temple is in the form of a chariot drawn by horses and elephants, with openings on either side, showing the descent of Sarangapani from heaven in the chariot to marry Komalavalli. The wheels of the chariot are of giant size.

The Sanctum is conceived of, as a chariot with wheels drawn by horses and elephants, in a scale grander than that of the Melakadambur temple built by Kulottunga I (early 12th century CE). It is classified as Karakkoil, a temple fashioned after temple chariots which are taken in procession around the temple during festivals. The sanctum is approached via a 100-pillared hall. The inner sanctum in the form of a chariot is guarded by Dwarapalakas facing the outer entrance. From the outer entrance, there is a perforated window axial to the sanctum. 

Presiding Deity is called as Sarangapani / Pallikondaar / Aravamudhan / Abayaryaapthamiruthan / Utthanasayi. The Sanctum houses the image of Sarangapani in Pallikonda posture, with his head resting on his right hand. He is facing east. He is in Udhyoga Sayana posture i.e. he appears as if he is getting up from sleeping position. Lord Brahma is above his naval and Sun on the head side. The sculptures of Narasimha Avatar are beautifully set around the sanctum sanctorum. Also, idol of sage Hema Rishi, Lakshmi and festival images enshrined within the sanctum.

Vimana over the sanctum is called as Vaideeka Vimana. The Vaideeka Vimanam of this temple is considered to be an offshoot of the Srirangam Pranava Vimana, which is a replica of the Pushpaka Vimanam (flying chariot from the Ramayana) presented to Vibhishana of Sri Lanka by Rama after Ravana was killed. Hence, this temple is considered second only to Srirangam among the Divya Desams. There are two stepped entrances to the sanctum named as Uttharayana Vaasal and Dakshinayana Vaasal, each open for a six-month period, similar to Thiruvellarai Temple.

Uttharayana Vaasal opens for six months on Makara Sankranti and Dakshinaya Vaasal opens for six months on Aadi Perukku, the 18th day of the Tamil month of Aadi. Lord Vishnu usually appears with his discus and conch. Here, the presiding deity and the procession deity of the temple are holding a bow known as Sarangam, Hence, the Lord came to be called as Sarangapani. The bow in the hands of the presiding deity is not visible. 

The Utsava Idol, Sarangapani is regarded with the same importance as the presiding deity. In most Divyadesam temples, the presiding deity occupies the highest prominence. All pujas and Alankaras are offered to presiding deity alone. In this temple, such respects are offered to the procession deity as he acts on behalf of the presiding deity.  Hence, this temple is revered as Upaya Pradhana Divyadesam with due respect to the procession deity. 

There is a beautifully carved out 12 pillared mandapa called Tirumamani mandapam in the Sanctum reminiscent of the similar Mandapa at Sri Vaikuntha and hence it is axiomatic to call this kshetra a Bhuloka Vaikuntha like Sri Rangam. Mother is called as Komalavalli Thayar / Padi Thanda Pathini (Mother would never (leave out) or leave away from her chamber). She is housed in a separate shrine. A set of padukas (footprints) in the outside prakaram (enclosure) are worshipped by the devotees as representative of Vishnu. The shrine for Patala Srinivasa Perumal can be reached by climbing down a few steps.

108 karanas form the basic movements of Bharata Natyam, famous south Indian dance. Some of these karanas are sculpted around the walls of the temple. Similar sculptures are found in the Brihadeeswarar Temple in Thanjavur and Nataraja Temple in Chidambaram. There is a sculptural representation of the sage Hema Rishi in the western part of the temple.  The unique aspect of Sarangapani Temple is that it does not have a Paramapathavasal, (the entrance to Lord Vishnu’s abode, Vaikuntha) which is opened on Vaikuntha Ekadasi, the 11th day after the New Moon in Margazhi (December-January).

Theertham associated with this Temple are Hema Pushkarini (Potramarai Tank), Cauvery River and Arasalaru. The Potramarai tank, the temple tank, is located opposite to the western entrance of the temple. The Potramarai tank has a central hall called Hema Rishi Mandapam. Taking a dip in the Hema Pushkarini Tank next to the temple is considered very auspicious. The temple has two processional chariots carved out of wood stationed outside the Rajagopuram.

The twin temple chariots weigh 300 tones (660,000 lb) each and have been renovated in 2007. The chariots were not drawn for some years during the preceding period. The chariots are next only in size to the ones in Thyagaraja temple in Thiruvarur and Andal Temple in Srivilliputhur. The chariots are pulled by hundreds of devotees across the streets around the temple twice a year, once during the Brahmotsavam during April–May and other during Rathasaptami in January–February.

The festival idols of Sarangapani and Komalavalli are brought to the thermutti (chariot station) after performing the religious rituals. Thirumangai Azhwar's Thiruvezhukootrirukkai, a single verse in 46 lines, when seen in numerical order, makes the image of a temple chariot. The painting depicting the verse in the chariot form is seen in the temple. It is believed that the first temple chariot of the temple was instituted by Thirumangai Azhwar himself.